Textbook: $25.25
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discount price $22.75
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Unlike the humorous approach most improv books take, this text is a gold mine of dramatic situations which teachers and students alike will find challenging and rewarding to improvise upon. With more than two hundred dramatic situations, all taken from well-respected sources, this book is by far the most extensive sourcebook available for nurturing the creative process in the teenage actor. The range of material is vast, including everything from beloved classics to folk and fairy tales to modern realism and contemporary stories. The authors structure situations so that middle school and high school students can work in greater depth than creative drama usually requires. The book explores a wide range of dramatic moments, such as climactic discovery, confrontation and relationships. Each section is organized by whether the improv skit is for one male and one female, two males, two females or an ensemble. A separate chapter has dozens of solo improvs from which to choose. Teachers and directors will find this comprehensive text a valuable catalyst for imagination and exploration of interesting dramatic terrains.
(257 pages, 6 x 9, paperback)
ISBN
Unlike the humorous approach most improv books take, this text is a gold mine of dramatic situations which teachers and students alike will find challenging and rewarding to improvise upon. With more than two hundred dramatic situations, all taken from well-respected sources, this book is by far the most extensive sourcebook available for nurturing the creative process in the teenage actor. The range of material is vast, including everything from beloved classics to folk and fairy tales to modern realism and contemporary stories. The authors structure situations so that middle school and high school students can work in greater depth than creative drama usually requires. The book explores a wide range of dramatic moments, such as climactic discovery, confrontation and relationships. Each section is organized by whether the improv skit is for one male and one female, two males, two females or an ensemble. A separate chapter has dozens of solo improvs from which to choose. Teachers and directors will find this comprehensive text a valuable catalyst for imagination and exploration of interesting dramatic terrains.
(257 pages, 6 x 9, paperback)
ISBN
Textbook | 978-0-325-00049-7 |
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The Young Actor’s Book of Improvisation
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Hear what directors and critics are saying:
Great Group Skits
If you love doing improv with your kids but want more than just a book of lists to get you started, this is the perfect book for you!
If you love doing improv with your kids but want more than just a book of lists to get you started, this is the perfect book for you!
Improv Ideas
These book are perfect — jam-packed with games and lists; a valuable resource for any theatre teacher or drama library.
These book are perfect — jam-packed with games and lists; a valuable resource for any theatre teacher or drama library.
A valuable and thorough guide for young actors seeking to improve their improvisational skills. Milton Katselas, director and acting teacher, Los Angeles
In play after play, I’ve seen actors who had trouble getting beneath the surface of a scene I had written, find its truth, humor and style through improvisation. Young actors (and middle-aged ones too) should find enormous help in this step-by-step, thoughtful and intelligent guide to fascinating adventures of improvisation. Jules Feiffer, cartoonist, playwright, screenwriter
This book is a gold mine of dramatic situations which teachers and students will find challenging and rewarding to improvise upon. Mel Shapiro, professor, Area Head Acting, School of Theatre Film and Television, UCLA